During a revealing discussion, the acclaimed performer reflects on topics ranging from her newest character as Queen of the Cuttlefish to the invaluable wisdom learned through theatrical mistakes and fan interactions.
The most recent role is Queen of the Cuttlefish in The Pout-Pout Fish; if you could be a fish for a day, which one would you choose and why?
Without hesitation, the blue groper found at a specific shoreline – since it is like an institution, and people go there to see it. It strikes me as remarkable that a resident aquatic creature that people actually go and see and discuss – it holds a unique status.
Which movie do you always return to, and why?
Ernst Lubitsch's 1942 comedy To Be Or Not To Be. I love this picture. During my childhood, it would air on television occasionally, and one time I recorded it. I found it was hilarious. It stars the legendary Carole Lombard and Jack Benny. Recently they were showing it at a cinema and it turned out that it was also the favourite film of a friend of mine, and so we attended and simply chuckled repeatedly. It is a masterful work of comedy and the entire cast in it are fantastic. Mel Brooks did a remake in the 1980s – that wasn’t as effective. But Lubitsch's version is an exceptional farce, worth viewing regularly.
What is the most valuable lesson you took away from someone you’ve worked with?
Years ago I performed in A Doll’s House alongside Peter O’Brien – my husband now, but back then we were not together. We portrayed characters as scene partners and during the premiere I tripped up – I skipped forward a few lines in the script. I was unaware what I’d done but I suddenly realised something wasn’t right. I recall glancing toward him, and he completely saved me, and then the scene regained momentum and went really, really well. But I think what I learned then was, first, consistently rely on the individuals in your scene. If you don’t know your place, if you turn around and toward the actors sharing the stage with, you can rediscover where you’re meant to be somehow. It’s such collaborative endeavor, performing live. And secondly, just to have a sense of fun regarding it. Sometimes when something goes wrong, things can ignite in a really great direction if you’re fully engaged in that moment. It may become an unexpected boon when things go completely the wrong way.
What’s been your most touching encounter with a fan?
There isn't just one particular interaction but when I encounter devotees of Lord of the Rings, particularly women, I am told numerous accounts about how that character meant to them when they were growing up … events that occurred in their lives and the extent to which Eowyn meant to them and was a form of support to them in those times.
Which questions get asked about the most by Lord of the Rings fans?
The most detailed question is always about the stew her character prepares for Aragorn. “Did that stew taste as terrible as it looked?” It has evolved into a running gag, the entire episode involving that dish, and everyone wants to know what was in the stew, and how was it made, and in your opinion her skills improved now, or do you believe she really is a poor chef? People are, I think, fascinated by the humour of that scene. And I provide lengthy descriptions describing the ingredients that constituted the stew – because I remember what they did; like they even put bits of colored thread to make it look like bits of veins in the meat. The crew employed great detail to render it as unappetizing as they could.
What was your most embarrassing celebrity encounter?
I attended a pilates class and there was a woman on a mat doing pilates, and the instructor remarked, “Oh, Miranda, this is Miranda.” And I made some joke about, “oh, are you a journalist?” Because it’s an unusual name and often when someone’s a Miranda, they work in media. I hadn't properly identified her. And when she got up, it was Miranda Richardson. At that point, I was at a loss for what to say. I was obliged to stay and do my class, and I experienced so embarrassed. I wanted to say: “Oh my gosh, I do know your work!” I consider her talent is immense and I was just too starstruck to utter a syllable.
Articles have confidently claimed that you were named after Prospero’s daughter in Shakespeare’s The Tempest, and yet you've mentioned stating otherwise – can you clarify this definitively?
Indeed, I was christened for the Sydney suburb. My mother learned via broadcast that they were opening a shopping centre at that location, and the name seemed a nice name.
What’s the most chaotic thing that’s ever happened on set?
When I was working in Brazil for the film Reaching for the Moon that was the most chaotic set of my career, and yet the final product emerged brilliantly. But they just work in such a different way. Their concept of time there is unique. In Australia, you normally have a schedule and you have to be on set by a certain time. But this was sort of flexible – one would appear whenever you happen to be ready. It was a novel approach for me. The elements were all coming together at the very last minute, and at times they wouldn’t know where they were shooting the next day the methodology. And then I would be in during a scene and wondering, “What was that noise that just interrupted the scene? Oh, it’s the producer opening a bottle on set, to start a party.” The result was excellent, but wow, it’s a distinct style of film-making.
What are you secretly good at?
I naturally possess good with numbers. I retain numbers more readily than I memorise words a lot of the time, I’ve just got that kind of a brain. So I believe if I hadn’t pursued acting, I probably would have entered a field involving numbers, like mathematics or accounting.
What’s the best piece of advice you have ever received?
When I was in high school, a speaker came to speak when we were graduating and they said, “have no fear to fail” … which I think is the best piece of advice, because you learn so much more from setbacks than you learn from success. With success, one rarely understand precisely why it happened. Failure, the lessons are so much more.